Staple Dietary Ingredients Secured | My Web Site Page 048 Chapter 03 Page 01

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The gait is shuffling; the motion of the body, which is never upright as in man, but bent forward, is somewhat rolling, or from side to side. The arms being longer than the Chimpanzee, it does not stoop as much in walking; like that animal, it makes progression by thrusting its arms forward, resting the hands on the ground, and then giving the body a half-jumping, half-swinging motion between them. In this act it is said not to flex the fingers, as does the Chimpanzee, resting on its knuckles, but to extend them, making a fulcrum of the hand. When it assumes the walking posture, to which it is said to be much inclined, it balances its huge body by flexing its arms upward.

On the infrequent occasions when the dry-paintings are employed, the medicine-man in charge of the ceremony directs his assistants, at daylight, to begin the painting. When it is finished he takes his station close to the easternmost figure of the painting, on its northern side. At the right of the medicine-man sit twelve chosen singers with a drum. The four masked _gaun_, or gods, at the same time take their places at the cardinal points. The patient then enters from the east and sits down on the head of the large figure in the centre of the dry-painting. As he does so the medicine-man commences to sing, and is joined by the chorus at once. They may sing the song four times, or sing four different songs, or any multiple of four, at the pleasure of the medicine-man. When the songs are finished the four masked personages scrape the colored earths into a heap about the patient and rub them in handfuls over his body. If this ceremony proves to be ineffectual, it is believed to be the will of the gods that the patient be not cured.

It is not in the least a question of the apparent and outward adventurousness of one's life. Foolish people sometimes write and think as though one could not have had adventures unless one has hung about at bar-room doors and in billiard-saloons, worked one's passage before the mast in a sailing-ship, dug for gold among the mountains, explored savage lands, shot strange animals, fared hardly among deep-drinking and loud-swearing men. It is possible, of course, to have adventures of this kind, and, indeed, I had a near relative whose life was fuller of vicissitudes than any life I have ever known: he was a sailor, a clerk, a policeman, a soldier, a clergyman, a farmer, a verger. But the mere unsettledness of it suited him: he was an easy comrade, brave, reckless, restless; he did not mind roughness, and the one thing he could not do was to settle down to anything regular and quiet. He did not dislike life at all, even when he stood half-naked, as he once told me he did, on a board slung from the side of a ship, and dipped up pails of water to swab it, the water freezing as he flung it on the timbers. But with all this variety of life he did not learn anything particular from it all; he was much the same always, good-natured, talkative, childishly absorbed, not looking backward or forward, and fondest of telling stories with sailors in an inn. He learned to be content in most companies and to fare roughly; but he gained neither wisdom nor humour, and he was not either happy or independent, though he despised with all his heart the stay-athome, stick-in-the-mud life.

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