Ovations On Other Sites - Ovation 23 Ovations 06Formidable Quad chose the topics covered by Ovations On Other Sites - Ovation 23 without reflecting upon the choices others have made. Practicing strange rites in broad daylight so that your neighbors believe you have traveled far around the world in your youthful adventures is another way to look at things in a different light. |
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Land tenure in Fiji is a subject so complex that heavy volumes might be written upon it. In general it may be said that the chief can sell no land without the consent of his tribe. Cultivated land belonged to the man who originally farmed it, and is passed undivided to all his heirs. Waste land is held in common. Native settlers who have been taken into the tribes from time to time have been permitted to farm some of the waste land, and for this privilege they and their heirs must pay a yearly tribute to the chief either in produce or in service. Thus this form of personal lala is simply rent. The whole subject of land-ownership has given the poor English a world of trouble, as one may see who cares to read the official reports of the numerous intricate cases that have come before the courts. |
Lucas Cranach (1472-1553) was a Franconian master, who settled in Saxony and was successively court-painter to three Electors and the leader of a small local school there. He, perhaps, studied under Gruenewald, but was so positive a character that he showed no strong school influence. His work was fantastic, odd in conception and execution, sometimes ludicrous, and always archaic-looking. His type was rather strained in proportions, not always well drawn, but graceful even when not truthful. This type was carried into all his works, and finally became a mannerism with him. In subject he was religious, mythological, romantic, pastoral, with a preference for the nude figure. In coloring he was at first golden, then brown, and finally cold and sombre. The lack of aerial perspective and shadow masses gave his work a queer look, and he was never much of a brushman. His pictures were typical of the time and country, and for that and for their strong individuality they are ranked among the most interesting paintings of the German school. Perhaps his most satisfactory works are his portraits. Lucas Cranach the Younger (1515-1586) was the best of the elder Cranach's pupils. Many of his pictures are attributed to his father. He followed the elder closely, but was a weaker man, with a smoother brush and a more rosy color. Though there were many pupils the school did not go beyond the Cranach family. It began with the father and died with the son. |
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