Staple Dietary Ingredients Secured | My Web Site Page 057 Chapter 03 Page 01

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Spencer's main object was to substantiate the validity of the Lamarckian principle, the cooeperation of which with selection had been doubted by many. And it does seem as though this principle, if it operates in nature at all, offers a ready and simple explanation of all such secondary variations. Not only muscles, but nerves, bones, sinews, in short all tissues which function actively, increase in strength in proportion as they are used, and conversely they decrease when the claims on them diminish. All the parts, therefore, which depend on the part that varied first, as for instance the enlarged antlers of the Irish Elk, must have been increased or decreased in strength, in exact proportion to the claims made upon them,--just as is actually the case. But beautiful as this explanation would be, I regard it as untenable, because it assumes the _transmissibility of functional modifications_ (so-called "acquired" characters), and this is not only undemonstrable, but is scarcely theoretically conceivable, for the secondary variations which accompany or follow the first as correlative variations, occur also in cases in which the animals concerned are sterile and _therefore cannot transmit anything to their descendants_. This is true of _worker bees_, and particularly of _ants_, and I shall here give a brief survey of the present state of the problem as it appears to me.

But while we allow with Mr. Arnold that the theory will best be learnt from the ancients, we cannot allow, as he seems to desire us to allow, that the practice of it was confined to them, or recommend as he does the disproportionate study, still less the disproportionate imitation of them. All great artists at all times have followed the same method, for greatness is impossible without it. The Italian painters are never weary of the Holy Family. The matter of Dante's poem lay before him in the creed of the whole of Europe. Shakespeare has not invented the substance of any one of his plays. And the "weighty experience" and "composure of judgment" with which the study of the ancients no doubt does furnish "those who habitually practise it," may be obtained we believe by the study of the thoughts of all great men of all ages; by the study of life in any age, so that our scope be broad enough.

The second is his universality--the word is not over-exact, but I can find no other. I mean that Froude was the exact opposite of the sciolist and was even other than the student. He was kneaded right into his own time and his own people. The arena in which he fought was small, the ideas he combated were few. He was not universal as those are universal who appeal to any man in any country. But he was eager upon these problems which his contemporaries wrangled over. He was in tune with, even when he directly opposed, the class from which he sprang, the mass of well-to-do Protestant Englishmen of Queen Victoria's reign. Their furniture had nothing shocking for him nor their steel engravings. He took for granted their probity, their common sense, and their reading. He knew what they were thinking about and therefore all he did to praise or blame their convictions, to soothe or to exasperate them, told. He could see the target.

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