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The history of Rome is that of a city which originally had only a few miles of territory, and gradually extended its dominions at first over Italy and then over the civilized world. The city lay in the central part of the peninsula, on the left bank of the Tiber, and about fifteen miles from its mouth. Its situation was upon the borders of three of the most powerful races in Italy, the Latins, Sabines, and Etruscans. Though originally a Latin town, it received at an early period a considerable Sabine population, which left a permanent impression upon the sacred rites and religious institutions of the people. The Etruscans exercised less influence upon Rome, though it appears nearly certain that a part of its population was of Etruscan origin, and that the two Tarquins represent the establishment of an Etruscan dynasty at Rome. The population of the city may therefore be regarded as one of mixed origin, consisting of the three elements of Latins, Sabines, and Etruscans, but the last in much smaller proportion than the other two. That the Latin element predominated over the Sabine is also evident from the fact that the language of the Romans was a Latin and not a Sabellian dialect.

We turn from Empedocles, which perhaps it is scarcely fair to have criticised, to the first poem in the latest edition, "Sohrab and Rustum," (Poems. By Matthew Arnold. A New Edition, London: 1853.) a poem which alone would have settled the position which Mr. Arnold has a right to claim as a poet, and which is remarkable for its success in every point in which Empedocles appears deficient. The story comes down out of remote Persian antiquity; it is as old, perhaps it is older, than the tale of Troy; and, like all old stories which have survived the changes of so long a time, is in itself of singular interest. Rustum, the Hercules of the East, fell in with and loved a beautiful Tartar woman. He left her, and she saw him no more; but in time a child was born, who grew up with the princes of his mother's tribe, and became in early youth distinguished in all manly graces and noblenesses. Learning that he was the son of the great Rustum, his object is to find his father, and induce him, by some gallant action, to acknowledge and receive him. War breaks out between the Tartars and the Persians.

It is not as a rule the calm and controlled people who have this attractiveness for others; it is rather those who unite with an enchanting kind of playfulness an instinct to confide in and to depend upon protective affection. Very probably there is some deepseated sexual impulse involved, however remotely and unconsciously, in this species of charm. It is the appeal of the child that exults in happiness, claims it as a right, uses it with a pretty petulance,--like the feigned enmity of the kitten and the puppy,-and when it is clouded over, requires tearfully that it shall be restored. That may seem an undignified comparison for a prince of the church. But Newman was artist first, and theologian a long way afterward; he needed comfort and approval and even applause; and he evoked, together with love and admiration, the compassion and protective chivalry of his friends. His writings have little logical or intellectual force; their strength is in their ineffable and fragrant charm, their ordered grace, their infinite pathos.

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