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Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.

"Well," said Mrs. Cadwallader, putting on her shawl, and rising, as if in haste, "I must go straight to Sir James and break this to him. He will have brought his mother back by this time, and I must call. Your uncle will never tell him. We are all disappointed, my dear. Young people should think of their families in marrying. I set a bad example--married a poor clergyman, and made myself a pitiable object among the De Bracys--obliged to get my coals by stratagem, and pray to heaven for my salad oil. However, Casaubon has money enough; I must do him that justice. As to his blood, I suppose the family quarterings are three cuttle-fish sable, and a commentator rampant. By the bye, before I go, my dear, I must speak to your Mrs. Carter about pastry. I want to send my young cook to learn of her. Poor people with four children, like us, you know, can't afford to keep a good cook. I have no doubt Mrs. Carter will oblige me. Sir James's cook is a perfect dragon."

"Poor old Dunman," said Tite, "he was so kind to us all, and tried so much to relieve our sufferings and make us feel contented that we all liked him, and felt his death was a severe loss to us. There was something so terrible in the story of his life that we used to talk about it at night, and fancy all sorts of strange spirits haunting the place where his money was buried. It was this that made us all impatient to get away from the dreary place. Three or four days after we had buried him, we removed the stones he said the gold was buried under, and there found, as he had told us, bags and boxes of gold and silver, in bars and coin of various kinds, heavy silver and gold ornaments that had been plundered from churches and convents, with pearls and diamonds and other precious stones, enough to fill two iron chests two feet square and two feet deep. There was the thought that it was the price of so much crime. And what good after all was this gold and silver to do us, if we were to die on the island, like old Dunman? We divided it among us, just as we would something of little value, not caring which got the biggest portion. Then, after keeping out what we thought we might want, each buried his part in separate spots, and marked the places with piles of big stones.

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