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In many passages Buffon[17] definitely suggested that environmental influences--especially of climate and food--were directly productive of changes in organisms, but he did not discuss the question of the transmissibility of the modifications so induced, and it is difficult to gather from his inconsistent writings what extent of transformation he really believed in. Prof. Osborn says of Buffon: "The struggle for existence, the elimination of the least-perfected species, the contest between the fecundity of certain species and their constant destruction, are all clearly expressed in various passages." He quotes two of these:[18] "Le cours ordinaire de la nature vivante, est en general toujours constant, toujours le meme; son mouvement, toujours regulier, roule sur deux points inebranlables: l'un, la fecondite sans bornes donnee a toutes les especes; l'autre, les obstacles sans nombre qui reduisent cette fecondite a une mesure determinee et ne laissent en tout temps qu'a peu pres la meme quantite d'individus de chaque espece" ... "Les especes les moins parfaites, les plus delicates, les plus pesantes, les moins agissantes, les moins armees, etc., ont deja disparu ou disparaitront.".

Of course, Sylla thought that his great rival and enemy was now finally disposed of, and he accordingly began to make preparations for his Asiatic campaign. He raised his army, built and equipped a fleet, and went away. As soon as he was gone, Marius's friends in the city began to come forth, and to take measures for reinstating themselves in power. Marius returned, too, from Africa, and soon gathered about him a large army. Being the friend, as he pretended, of the lower classes of society, he collected vast multitudes of revolted slaves, outlaws, and other desperadoes, and advanced toward Rome. He assumed, himself, the dress, and air, and savage demeanor of his followers. His countenance had been rendered haggard and cadaverous partly by the influence of exposures, hardships, and suffering upon his advanced age, and partly by the stern and moody plans and determinations of revenge which his mind was perpetually revolving. He listened to the deputations which the Roman Senate sent out to him from time to time, as he advanced toward the city, but refused to make any terms. He moved forward with all the outward deliberation and calmness suitable to his years, while all the ferocity of a tiger was burning within.

This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.

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