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The men of the Caves supported life by hunting. But a very small part of their food supplies could have been drawn from the vegetable kingdom. When the climate was so severe that Alpine mosses grew at Schussenreid, acorns and like nuts would be about all they could procure from that source. The animals hunted by the Cave-men were principally reindeer, horses, bisons, and, occasionally mammoths and woolly rhinoceros. But they were not very choice in this matter, as they readily accepted as food any animal they could obtain by force or cunning. Wolves and foxes were not rejected, and in one cave large numbers of the bones of the common water rat were obtained. We know what animals were used as food, because we find their bones split for the purpose of procuring the marrow they contained. This was evidently to them a nutritious article of diet, since they were careful to open all the bones containing it, and bones so split are frequently the only means of detecting the former presence of man in some bone caves.

"I should learn everything then," she said to herself, still walking quickly along the bridle road through the wood. "It would be my duty to study that I might help him the better in his great works. There would be nothing trivial about our lives. Every-day things with us would mean the greatest things. It would be like marrying Pascal. I should learn to see the truth by the same light as great men have seen it by. And then I should know what to do, when I got older: I should see how it was possible to lead a grand life here--now--in England. I don't feel sure about doing good in any way now: everything seems like going on a mission to a people whose language I don't know;--unless it were building good cottages--there can be no doubt about that. Oh, I hope I should be able to get the people well housed in Lowick! I will draw plenty of plans while I have time."

At the Salon of 1881 her picture was well hung and was praised by artists. In the autumn of that year she was very ill, but happily, about the beginning of 1882, she was much better and again enthusiastic about her painting. She had been in Spain and excited admiration in Madrid by the excellence of her copy of "Vulcan," by Velasquez. January 15th she wrote: "I am wrapped up in my art. I think I caught the sacred fire in Spain at the same time that I caught the pleurisy. From being a student I now begin to be an artist. This sudden influx of power puts me beside myself with joy. I sketch future pictures; I dream of painting an Ophelia. Potain has promised to take me to Saint-Anne to study faces of the mad women there, and then I am full of the idea of painting an old man, an Arab, sitting down singing to the accompaniment of a kind of guitar; and I am thinking also of a large affair for the coming Salon--a view of the Carnival; but for this it would be necessary that I should go to Nice--to Naples first for the Carnival, and then to Nice, where I have my villa, to paint it in open air."

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