Staple Dietary Ingredients Secured | My Web Site Page 254 Chapter 01 Page 05

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Any one who will look around upon the families of his acquaintance will observe that family characteristics and resemblances prevail not only in respect to stature, form, expression of countenance, and other outward and bodily tokens, but also in regard to the constitutional temperaments and capacities of the soul. Sometimes we find a group in which high intellectual powers and great energy of action prevail for many successive generations, and in all the branches into which the original stock divides; in other cases, the hereditary tendency is to gentleness and harmlessness of character, with a full development of all the feelings and sensibilities of the soul. Others, again, exhibit congenital tendencies to great physical strength and hardihood, and to powers of muscular exertion and endurance. These differences, notwithstanding all the exceptions and irregularities connected with them, are obviously, where they exist, deeply seated and permanent. They depend very slightly upon any mere external causes. They have, on the contrary, their foundation in some hidden principles connected with the origin of life, and with the mode of its transmission from parent to offspring, which the researches of philosophers have never yet been able to explore.

These have been already described as those in which the results are got by measuring, either--(1) the volume of a reagent required to complete some reaction, or (2) the volume of the resulting product. For example, if a permanganate of potash solution be added to a solution containing a weighed amount of iron, dissolved in sulphuric acid, the strong colour of the permanganate of potash will be removed until a certain quantity of it has been added. Repeating the experiment, it will be found that the same amount of iron decolorises the same volume of the permanganate solution within certain narrow limits of variation, known as "error of experiment." This error is due to variation in the method of working and to slight differences in the weighings and measurings; it is present in all experimental methods, although the limits of variation are wider in some than in others. Apart from this error of experiment, however, it is certain that a given volume of the permanganate of potash solution corresponds to a definite weight of iron, so that if either is known the other may be calculated. Similarly, if a known weight of zinc (or of carbonate of lime) be dissolved in hydrochloric acid, a gas will be given off which can be measured, and so long as the conditions of the experiment do not vary, the same weight of zinc (or of carbonate of lime) gives off the same volume of gas. The weight of the one can be determined from the volume of the other.

The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.

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