Staple Dietary Ingredients Secured | My Web Site Page 350 Chapter 03 Page 06

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It is a strange thing to observe, how high a rate great kings and monarchs do set upon this fruit of friendship, whereof we speak: so great, as they purchase it, many times, at the hazard of their own safety and greatness. For princes, in regard of the distance of their fortune from that of their subjects and servants, cannot gather this fruit, except (to make themselves capable thereof) they raise some persons to be, as it were, companions and almost equals to themselves, which many times sorteth to inconvenience. The modern languages give unto such persons the name of favorites, or privadoes; as if it were matter of grace, or conversation. But the Roman name attaineth the true use and cause thereof, naming them participes curarum; for it is that which tieth the knot. And we see plainly that this hath been done, not by weak and passionate princes only, but by the wisest and most politic that ever reigned; who have oftentimes joined to themselves some of their servants; whom both themselves have called friends, and allowed other likewise to call them in the same manner; using the word which is received between private men.

It is, of course, quite true that no writer is bound by traditions of art, and there is no one who need consider how the thing has been done before, or follow a prescribed code. But for all that, art is not a thing of rules made and enforced by critics. All that critics can do is to determine what the laws of art are; because art has laws underlying it which are as certain as the laws of gravity, even if they are not known. The more permanent art is, the more it conforms to these laws; because the fact is that there is a vital impulse in the human mind towards the expression of beauty, and a vital discrimination too as to the form and method of that expression. Architecture, for instance, and music, are alike based upon instinctive preferences in human beings, the one for geometrical form, the other for the combination of vibrations. It is a law of music, for instance, that the human being prefers an octave in absolute unison, and not an octave of which one note is a semitone flat. That is not a rule invented by critics; it is a law of human perception and preference. Similarly there is undoubtedly a law which determines human preferences in poetry, though a far more complicated law, and not yet analysed. The new poet is not a man who breaks the law, but one who discovers a real extension of it.

No. 22. This boiler, which is designated as the "Vertical Header" type, has the same general features of construction as No. 21, except that the tube sheet side of the headers is "stepped" to allow the headers to be placed vertically and at right angles to the drum and still maintain the tubes at the angle used in Nos. 20 and 21. No. 23, or the cross drum design of boiler, is a development of the Babcock & Wilcox marine boiler, in which the cross drum is used exclusively. The experience of the Glasgow Works of The Babcock & Wilcox, Ltd., with No. 18 proved that proper attention to details of construction would make it a most desirable form of boiler where headroom was limited. A large number of this design have been successfully installed and are giving satisfactory results under widely varying conditions. The cross drum boiler is also built in a vertical header design.

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